The Messenger
Sunday May 16, 2010  7pm - 8:52pm (1 Hour 52 Minutes)
Movie / Film

 info@fundyfilm.ca
 542-5157

If anyone asks you where the best and brightest new directors are coming from, point to Oren Moverman, whose vividly touching and vital debut feature signals the arrival of a filmmaker — he wrote the script with Alessandro Camon — who can bare the soul of a character with precision and healing compassion. The Messenger, showing humanity under siege, opens wounds inflicted by the Iraq War — not on the battlefield but in the hearts of the families of soldiers who never made it back home. It’s the job of Capt. Tony Stone (Woody Harrelson in top form), of the Casualty Notification Office, to knock on the doors of wives, husbands and parents to deliver the worst kind of news.

Tony soon has company on his mission in the reluctant person of Staff Sgt. Will Montgomery (Ben Foster), an injured war hero with three months left on his enlistment and no stomach for his CNO duties. “In our job, there’s no such thing as a satisfied customer,” Tony tells Will, establishing the blend of hurt and humor that marks the film. There are six notifications in the course of the film — Steve Buscemi is devastating as a parent who explodes in rage at losing his son — and to heighten spontaneity, Moverman didn’t always tell Harrelson and Foster beforehand how the next of kin would react. No wonder The Messenger bristles with the intensity of life being lived. Tony, a veteran of two tours of duty without combat action, lays out the rules: no hugging or physical contact, no ringing doorbells (just knock), and absolutely no fraternizing with the grief-stricken. The last rule gets quickly broken when Will forges a connection with the newly widowed Olivia (the excellent Samantha Morton), now raising a child alone.

The film pivots on these two men, and Harrelson and Foster are both astounding, digging deep under the surface of their characters to find raw scar tissue. Foster subtly uncovers the ache inside Will that is only partially caused by the stress of combat. And Harrelson, once again shows his skills as a superb dramatic actor. Harrelson can impress from the sidelines (No Country for Old Men) or front and center (The People vs. Larry Flynt), but his full-out emotional range here ranks as a career pinnacle. Tony knows how to bluster. Eyeballing a bartending babe, he sasses, “I’d like to strap her on and wear her like a government-issued gas mask.” But this recovering alcoholic is hiding secrets that will come back to haunt him.

Major props to Moverman, for cleansing his shattering film of Hollywood sentiment and hectoring politics, concentrating instead on what war does to our shared humanity. Moverman knows war firsthand, having served four years as a paratrooper in the Israeli army. He knows the pressures soldiers live under, and what it takes to pick up the pieces and find strength in what remains behind. That’s why The Messenger hits so hard. Its truths are personal. It means to shake you. And does. From Peter Travers, Rolling Stone
Pricing & Tickets
Pricing: $8
Poster
450 Main Street
Wolfville, Nova Scoita

 manager@alwhittletheatre.ca
 902-542-3344

       

View Full Venue Info



Other Events at Al Whittle Theatre
Sat Mar 30, 10am
All-You-Can-Eat Cereal Cartoon Party
Wed Apr 3, 7pm
Werner Herzog: Radical Dreamer
Sat Apr 6, 8pm
Sahara Jane Album Launch
Sun Apr 7, 4pm
The Madones
Sun Apr 7, 7pm
The Madones
Wed Apr 10, 7pm
500 Days in the Wild
Thu Apr 11, 7:30pm
Valdy
Fri Apr 12, 7pm
The Motive and the Cue
Sun Apr 14, 4pm
Seagrass
Sun Apr 14, 7pm
Seagrass
See More...